Sulgrave Manor
Manor Road
Sulgrave
Nr. Banbury
Oxfordshire
OX17 2SD
United Kingdom
+44 (0)1295 760205
Charity No. 1003839
home > education > the watson chair lectures
The 2007 Watson Chair Lecture


In 2007 the lecture, entitled "The artist as critic: Whistler, Sargent and Henry James" was given by Duncan Robinson, Master of Clare College and Director of The Fitzwilliam Museum, Cambridge.

Duncan Robinson
Duncan Robinson
A 59-year old northerner, Mr Robinson was educated at King Edward VI School Macclesfield and at Clare College, where he read English. He is one of the leading authorities on 20th century British painting -- a revised version of his influential study of Stanley Spencer, first published in 1979, is still in print.

His training in art history began with a Mellon Fellowship at Yale in 1965, and his academic career ever since has straddled the Atlantic and been divided between Cambridge and Yale. On completion of his Yale MA in 1967 he returned to Cambridge for graduate study on the Sienese Trecento painter Ambrogio Lorenzetti under the supervision of Sir John Pope-Hennessy. He was appointed Assistant Keeper of Paintings and Drawings at the Fitzwilliam in 1970, and Keeper in 1976.

In 1981 he returned to New Haven as Director of the Yale Center for British Art, and simultaneously as Chief Executive Officer of the Paul Mellon Centre for Studies in British Art in London. Though these responsibilities inevitably focused his research on British 20th-century painters, Duncan Robinson retains a passion for Italian Trecento and Quattrocento art, and has wide interests in other periods: his future research plans include a study of painting in the age of Joshua Reynolds.

He taught the History of Art at Yale until 1995, when he returned to Cambridge as Director of the Fitzwilliam Museum, and was elected a Professorial Fellow of Clare College. He is also a Trustee of Yale University Press, a member of the Court of the Royal College of Art, and a Director or Council Member of a host of artistic and learned institutions, from Kettle's Yard and the William Blake Trust to the Stanley Spencer Gallery at Cookham.

Mr Robinson's term as Director at the Fitzwilliam has been characterised by two main concerns: to rouse the University to a more active sense of the treasure it possesses in the Museum as a teaching and research resource, and to provide desperately needed extra space to meet the changing needs of a great modern museum. The multi-million pound extension sensitively integrated into the Courtyard area of the Fitzwilliam houses a shop and restaurant, seminar and lecture facilities, a meeting area, a new Ceramics Study centre, and a fine gallery for temporary exhibitions.

A genial and clubbable man, Duncan Robinson is a keen and gifted teacher -- in 1994 he was one of just six Yale professors invited by the Association of Yale Alumni to contribute six video-taped lectures to the Yale Great Teachers series. He has never allowed his many administrative responsibilities to eliminate his contact with undergraduate and graduate students and, despite his demanding work at the Fitzwilliam, is a much-valued teacher in the Department of Architecture and History of Art.

Duncan Robinson has been married since 1967: his wife, Elizabeth, hails from Fairfield, Connecticut. Trained as a paper conservator, she is a painter and interior designer, and a skilled gardener. They have three children.

The Watson Chair
Symbolising Anglo-American friendship
The Watson Chair and Sulgrave Manor